Tuesday, June 16, 2009

Will Revolutionary Geeks and User Generated Content Topple the Ayatollah?


During the 2008 United States presidential election we experienced the first indication of a previously unknown political media ecology. Driven by social media such as YouTube, Facebook, MySpace and Twitter and propagated via computer, cellphone and MP3 player, these elements of what Fordham University professor Paul Levinson has called the “New New Media,” changed our national political landscape and are now working globally to transform political balances around the world. At home, grassroots organizers for Barack Obama were able to bypass the mainstream media and speak directly to potential voters and to orchestrate small-cap fund raising drives on an unprecedented scale. Off-the-cuff comments from candidates captured by portable devices drove news cycles for weeks at a time and changed political fortunes. For example, one instance of George Allen’s career ending “macaca” video has currently been viewed on YouTube almost 400,000 times. As Levinson notes in his upcoming book, The New New Media: “the true or fully empowered new new media user also has the option of producing content, and consuming content produced by hundreds of millions of other new new media consumer-producers.”

Now, with the current election fiasco in Iran, we are seeing the true potential of the new new media. The obviously fraudulent Iranian election outcome might have gone unnoticed and unchallenged in previous political media environments. At the very least, the Iranian ruling powers would have been able to clamp down on information flow by shutting down media outlets and controlling reporters’ access to the events.

Not anymore. Cell phone videos and snapshots of demonstrations and reprisals, “Tweets” with tactical and other organizing information and other new new media reporting have completely trumped Iranian efforts to control the public perception of their election. As Richard Engel noted on the Rachel Maddow Show last night, to control the user generated content of civil protest the Iranian rulers would have to shut down the entire country:

“What the Iranian crackdown is, it’s very old fashioned. They want to control the media so they’re cutting off phones and they’re kicking out established reporters and harassing reporters. That’s very 1980’s, 1990’s way of a media crackdown. It has not helped them control the information war.”

In the 1980’s Neil Postman argued that any new technology disseminated to the populace by our electronic conglomerates constituted an uncontrolled social experiment on society. Every new medium or device presents a Faustian bargain, creating winners and losers within the population based solely on the characteristics of the technology. The new new media change the flow of information from the one-to-many of traditional media outlets to the many-to-many of the internet. Without single chokepoints to block the flow of information, would-be tyrants are finding it difficult to control the narrative of their national political events and the word gets out from multiple sources, with pictures!

The upside of the new new media is that democratic inclinations gain new traction against entrenched despotic institutions. The downside is that turmoil is inevitable as current power holders seek to retain their positions. In our own country this turmoil is played out by the decline and fall of the Republican Party and the not coincidental individual incidents of right-wing violence that accompany that collapse. Overseas, the chaos and destruction may be more pronounced as entire societies react to the potentialities of the new new media and the violence spills out into the streets.

Sunday, May 17, 2009

Maureen Dowd on Cheney's Saturnine Policies

I don't ususally post on political events, leaving that task to my betters. Less frequently do I quote Maureen Dowd who I find generally writes snark without substance. However in today's New York Times Dowd has hit the nail on the head concerning Republican reactions to Nancy Pelosi's involvement in George Bush and Dick Cheney's lawbreaking:
Nancy Pelosi’s bad week of blithering responses about why she did nothing after being briefed on torture has given Republicans one of their happiest — and harpy-est — weeks in a long time. They relished casting Pelosi as contemptible for not fighting harder to stop their contemptible depredations against the Constitution. That’s Cheneyesque chutzpah.
and
Besides, the question of what Pelosi knew or didn’t, or when she did or didn’t know, is irrelevant to how W. and Cheney broke the law and authorized torture.
President Obama wants to avoid the national gut-wrenching that a full accounting (and the resulting prosecutions) would subject the country to. I submit that without a full accounting and without holding responsible those who committed these crimes in our names, there is no moving forward.

Tuesday, May 12, 2009

In Memoriam - Dr. Leonard Shlain

I've just learned that Leonard Shlain died yesterday after a long struggle with brain cancer. I was first introduced to Dr. Shlain at the 2002 Media Ecology Conference at Marymount Manhattan College in New York City. His talk on The Alphabet and the Goddess (website here) was remarkable and I immediately purchased both the book and a video of his lecture. Since that time Dr. Shlain has been a regular attendee at Media Ecology Association and related functions and his contributions to the field are substantial.

Here is a YouTube video of an interview with Dr. Shlain as part of the University of California "Conversations with History" series concerning Art and Science:



From his website:

A celebration of Leonard’s life will be held on Friday, May 15th at 1:00 PM at Sherith Israel Synagogue, 2266 California Street at Webster, San Francisco, CA 94115.

In lieu of flowers, contributions may be made to the Leonard Shlain Scholarship Fund at The Saybrook Graduate School and mailed as follows:

Att: Ed Patuto, Shlain Scholarship Fund
Saybrook Graduate and Research Center
747 Front Street
San Francisco, CA 94111
415.394.5675


My condolences to his family. His death is a great loss to us all.

Thursday, May 7, 2009

Her Morning Elegance - Oren Lavie

A fantastic stop action film. And the music is pretty good too.

Saturday, April 25, 2009

Susan Boyle's Transformation: We Have Met The Ugly Duckling And He Is Us

Turnabout is fair play as Susan Boyle turns Les Mis into Les Millions in her now famous YouTube fairy tale.

The Susan Boyle video clip that currently is reaching new viewer heights on YouTube exhibits aspects implying post-production tinkering (or at least extensive pre-production planning) which moves it from the realm of real time cinema verité to preconceived narrative.
The way Boyle's stunning performance is preceded with shots of her in the waiting room, the contrast of her plebeian appearance with the glamour and celebrity of the judges, even her song choice creates a specific effect. Is it a coincidence that this would-be ugly duckling chose as her performance piece Fantine's swan song from Les Miserables?

I had a dream my life would be
So different from this hell I’m living
So different now from what it seemed
Now life has killed the dream I dreamed.

Imagine after that lengthy and somewhat embarrassing introduction, Ms. Boyle had begun singing "Oklahoma!" or "Luck Be A Lady Tonight!" The audience reaction might have been quite different.
The presentation and contemplation of transformation is a key characteristic of mythology, properly understood. Myths and fairy tales use a magical transformation as a standard narrative device. The ugly ducking transforms into the beautiful swan. The kitchen drudge transforms into the beautiful princess. The frog transforms into the handsome prince. What is different about the Boyle YouTube video, which might be called a Twitter fairy tale, is that it is we, the audience, that is transformed, not the protagonist.
Using multiple shots of the Britain's Got Talent judges, hosts, and audience, this video narrative clearly documents their (and by extension our) transformation from ugly critics to enthusiastic supporters. By contrast, Susan Boyle herself remains unchanged, except in our eyes. This reversal of transformational aspect as a narrative device is what makes this video so compelling, and I believe it could only happen in our television-weaned, computer-enhanced, social networking era.
Particular storytelling techniques shape themselves to the available medium. In distinguishing the "light through" aspect of the video image vs. the "light on" nature of movies, Marshall McLuhan observed that with television (and by extension the computer monitor) the viewer is the screen. New media present opportunities to tell old stories in a new way, and from a different vantage point. The salient feature of this Twitter-Tale is that it replaces the protagonist with the audience as the object of transformation. We have met the ugly duckling and he is us.

Monday, April 6, 2009

A Model Media Ecologist

Under the tutelage of professors Neil Postman, Terry Moran and Christine Nystrom, it was the practice in the 1970's of New York University's Program in Media Ecology to hold annual graduate student conferences where each doctoral class picked one member to deliver a "State of the Class" address.

At the fall 1976 Conference, my own Class of 1977 decided to do something different. I had access to a Sony reel to reel black and white Betamax recorder and a camera, and so instead of one class member giving a 30 minute address, each of us in the Class of '77 prepared up to five minutes on video tape of our own personal metaphor for What is Media Ecology? A Model Media Ecologist was my contribution. (I still have the complete video of the Class of '77 if anyone is interested.)

I sang it to the tune of Gilbert & Sullivan's A Modern Major General. I also used a lot of props to add visual humor to the comic lyrics. For instance, when I sang the line "I also know the difference 'tween me and a theologist" I put on a clerical collar. It is worthwhile to click on the link to view the original recording:



I'm proud to say that Casey M.K. Lum has included A Model Media Ecologist at the beginning of his history of Media Ecology, Perspectives on Culture, Technology and Communication: The Media Ecology Tradition published by Hampton Press. No, I don't get any royalties, although I think I should.*

For those of you who haven't already downloaded A Model Media Ecologist from iTunes, here are the lyrics (modified slightly to bring them into the 21st Century):

A Model Media Ecologist

I am the very model of a Media Ecologist
I also sense the difference 'tween me and a theologist
I've read a bit of Mumford and a little of McLuhan
I also have a fair idea what Watslavik is doing.

Of Levi-Strauss and Jacques Ellul I seem to have a smattering.
The work of Ames and Cantril I am very often flattering.
I'm versed in Systems Theory and in models mathematical
Which I'll dispute with you until the start of my sabbatical.


I know how Shannon-Weaver strove to overcome their channel noise.
I'm well aware that Hayakawa hung out with the Senate boys.
Although it would be better to have been an anthropologist
I am the very model of a Media Ecologist!
I can recite the history of radio and telephone.
As well as why it is Korzybski's ghost is never left alone.
I've studied silent language and the biases of media,
Of Structuralistic notions I'ma real encyclopedia.

I've learned proxemics, kinesics, linguistics styles polemical.
I know why Greeks were oral and why monks were academical.
Then I'll recite five verses from a Bible made by Guternberg,
And guess the probability you know the work of Heisenberg.

Why TV is immediate, massaging your right hemisphere,
While functioning discursively is bound someday to disappear.
Although it would be better to have been an icthyologist,
I am the very model of a Media Ecologist!

When I can tell the difference 'tween "dub" and "dupe" and "master tape";
When I can tell a hot film splicer from a waffle plate;
When showing films or video no longer gets the best of me;
When I can show awareness of the workings of 'lectricity;

When laser beams and holograms no longer seem so magical;
When my attempt to splice a tape does not turn out so tragical;
In short when I've a smattering of modern day technology,
Then I'll feel better saying I know Media Ecology!


For my modern hardware training, though I'm plucky and advertury,
Has only been brought down to the beginning of last century!
Although it would be better to have been a gynecologist,
I am the very model of a Media Ecologist!


*BTW. As a published poet (see above), in 2005 I claimed the title of Media Ecology Association Poet Laureate. However, after reading Lance Strate's body of work, as published at his own MySpace blog "Lance Strate's Blogversed" (available here) I hereby abdicate in his favor!

Wednesday, March 25, 2009

The Battlestar Galactica Guide to Great Literature

As they contemplated Season Four, Battlestar Galactica's writers confronted the narrative mess of the previous three years and exclaimed "There must be some way out of here!"

Would-be screenwriters, novelists and playwrights can learn an important lesson from this past week’s Battlestar Galactica finale. For those not tuned into the BSG universe, the series finale revealed that Starbuck, the plucky fighter pilot who died and came back to life a few seasons back, was not quite human. You may think that BSG’s writers mixed up coffee brands in their minds, Starbuck’s Incorporated with Chock Full 0’ Nuts (that heavenly coffee), when they reincarnated Starbuck not as an android or a clone or some other high SciFi concept, but rather as a true angel. In fact, Angel Starbuck allowed the writers to conveniently tie up of a number of loose ends, contradictory story arcs and mythological red herrings that kept viewers coming back for more Human/Cylon action week after week and season after interrupted season.

In true Deus ex Machina fashion, Angel Starbuck leads the wandering BSG survivors to Earth, not the cinder Earth they previously visited, but our own true Earth of 150,000 years ago where the primitive native inhabitants sat around their campfires humming Bob Dylan tunes. The various BSG humans, Cylons and hybrids disembark, toss their advanced technology into the nearest convenient fusion recycler, scatter themselves to the Earth’s four corners and presumably become fruitful and multiply. Having completed her angelic mission, Angel Starbuck simply vanishes, leaving Lee Adama ("Apollo") to wonder on God's inscrutability.

Flash forward to our present-day world on the verge of creating its own Cylons thanks to Japanese robotics advances, and we witness two angels in America. They appear in the guise of Cylon Caprica 6 and Human Gaius Baltar strolling arm-in-arm through the streets of Manhattan, and go about wryly commenting on our civilization’s chance to get the cybernetics thing right this time.

So Battlestar Galactica turns out to have been about angels, not robots, divine intervention, not binary interpolation. A better title for the series might have been "Cylons In The Hands of An Angry God." This is where the other arts can learn a lesson from television in general and Battlestar Galactica in particular. No matter how dire the circumstances, how severe the situation, how irreconcilable the protagonists, there is no conceivable story line that can’t be resolved by supernatural agency.

A survey of the great literature of the world reveals that, with the exception of The Bible, The Koran, John Milton's Paradise Lost and possibly James Joyce's Finnegans Wake, no writer of note has hit upon this simple device to resolve the dramatic crises of their writings. In tale after tale, protagonists suffer the slings and arrows of outrageous fortune without the benefit of divine intervention.

Imagine a Shakespeare's Hamlet, Act V, where an Angel King Hamlet exchanges the poison drinks and weapons for less lethal alternatives and convinces usurper Claudius to voluntarily abdicate his throne to a newly heroic Prince of Denmark.

Or an Arthur Miller's Death of a Salesman where a reincarnated Angel Ben Loman appears bearing a new, lucrative sales route to bestow on his father.

How about an update of Margaret Mitchell's Gone With The Wind where Angel Melanie reappears and leads the South to victory, saves baby Bonnie from her equestrian mishap and convinces Rhett and Scarlett that they were truly meant for each other.

And of course, there would be a Herman Melville's Moby Dick where another angelic Starbuck finally nails the great white whale for Captain Ahab with a propitious cast of his harpoon.

You can see the possibilities.

Post-modern critics may argue that dramatic art isn’t like that. In our poetry, our plays, our books and our movies, bad things happen to good people all the time and recently deceased revenants with heavenly bodies don’t always appear to make things right.

Aristotle taught us that art imitates nature. Isn't it about time that art imitate the supernatural?